NEWS
‘New Voices’ recently elected RGIs
Opening this weekend! The Royal Glasgow Institute of the Fine Arts ‘New Voices’ newly elected members at the RGI Kelly Gallery in the heart of Glasgow
RGI Kelly Gallery,118 Douglas St, Glasgow G2 4ET
5th April – 28th April 2025
Open Monday, Tuesday and Wednesday 10 – 5pm. Saturday 10 – 2.00pm
‘NEW VOICES’ newly elected RGIs
The Scotsman ☆☆☆☆ review
Christopher Wood: Ancient Songs, Kilmorack Gallery ★★★★☆ ‘akin to music’
Less about analysis and more about experience, the abstract paintings of ChristopherWood really strike a chord, writes Susan Mansfield
In an 18th century church at Kilmorack just outside Beauly in Inverness-shire, Tony Davidson has now clocked up 27 years of running a contemporary art gallery, and in that time he has built up an enviable stable of mainly Scottish artists.
Currently, the main show at Kilmorack is by Christopher Wood, but there is always a mixture of work in the building including, at the moment, some wonderful animals by Helen Denerley and a group of impressively atmospheric watercolours by Shetland-based Peter Davis.
While Davis captures ocean, cliffs and weather with a kind of expressive minimalism, Wood has become, in his later work, a true abstractionist. Questions like “what does it look like?” and “what does it mean?” bounce back unanswered. Yet, seeing a group of his paintings together, one starts to see their structure, the way the colours balance one another, and how thick brush strokes are tempered by finer work.
There is a tension – the good kind – between expressiveness and control, a specificity which comes from persevering at the easel until the thing feels right.
The titles are often poetic: Drop of Dusk, A Corner of the Wind, How Wonderful the Summer Was. And poetry is one way to understand them: like poems, they do not give up their meaning easily, but rather resonate in some mysterious way with the lived experience of the viewer.
Other titles here reference sound: The Noise Grew Softer, A Clatter o’ Birds, Their Voices Fading Away, and there is part of this which is akin to music. After all, the title of theshow is Ancient Songs. It strikes a chord, one might say, of a painting one likes. It chimes. It resonates. It’s less about analysis and more about experience. But it’s still all about skill.
‘Wintry birds’; 30 x 36 inches (76 x 91 cm); Acrylic Mixed Media on Panel; £3600
‘The Field and the Sea’ 2025
